Jul 26, 2017

Halfway to frame

There are a few pieces I have stitched that I am not attached to.  Several are favorites, some are meh, some are I don't care.  Since my plan (and has been for a few years) is to streamline and change my home to sparse and efficient, I just can't visualize all these pieces on the walls.  But we'll see. 
 
What I'm debating right now is the display method.  I have older pieces framed and plan to remove the glass. 
This was back in 2012 when I removed the dust covers and opened the frames to clean the glass.  The stitches no longer looked sharp, clear, and cleaning the inside of the glass made a huge difference in them.  It's time again for a cleaning and this time I will leave the glass off.  Not sure what caused this but they certainly were dirty after 20 years. With a sealed backing of paper, maybe the heat and household air does filter through, I don't know.
 
The other more recent pieces are bottom fringed and just hanging on the wall.  I don't know if I will ever frame them.  For now, I'm thinking of a middle ground.  As the small sampler in this group is shown on a wannabe hornbook, mounting these larger samplers on a board with a shaped top may be an option.  Nicer than nothing, not as formal as a frame, much less expensive.  I do like samplers hemstitched and mounted to a background mat, not stretched over it, and that will be my choice for Lucy Redd, Sally Fiske, Eliza Pumroy and any of the big girls.  I just prefer the more aged primitive pieces to have a little texture (wrinkle) and not be perfectly smooth and neat.  I'll only be out a few bucks for trying this because who knows?  I may still prefer the simplicity of a sampler hanging on a cupboard's side or door, free and naked as a bird. 
 
  But as you know, I have a PhD in procrastination so this may take a while.
 
Have a good day!
 
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